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Symmetry Dance of Destruction
The Dance of Destruction preview seen in this video clip was performed at CERN ahead of the launch of the movie “Symmetry” released in March 2015 which is supposed to symbolize a symmetry between the world of science and the world of perception. Symmetry combines opera, digital art and physics to highlight the mission of the Large Hadron Collider.
The Dance of Destruction at its core is founded upon the concept of Shiva, the Hindu God of Destruction and contains a significant number of hidden symbolisms. Watch the video clip to the right and all will become much more clearer as we explain to you the significance of
What is CERN?
The word CERN comes from the name “Conseil Européen pour la Recherche Nucléaire” and is a European research organization that operates the largest particle physics laboratory in the world. Established in 1954, the organization is based in a northwest suburb of Geneva, Switzerland on the Franco–Swiss border. CERN’s main function is to provide the infrastructure needed for high energy physics research. As a result, numerous experiments have been constructed at CERN as a result of international collaborations. The most notable project involves a device known as the Large Hadron Collider.
Up until 2008 the vast majority of people worldwide had never even heard of CERN. I am sure that if you are reading this that that you probably didn’t know anything about CERN before 2008. This suggests that there was something in the media which raised the profile of this organization and its core objectives.
2008 – Rise of the CERN Brand
In 2008 a strange report began circulating in Russia stating that 21 US Soldiers from the United States Army’s 716th Military Police Battalion, 101st Airborne Division, tasked with providing security for the ancient Iraqi city of Babylon, and based in the Iraqi city of Hilla, had committed ‘mass suicide’ after their attempt to ‘link’ what was described as an ancient ‘stargate’ to CERN’s Large Hadron Collider.
According to the sources, the troops were treated in a hospital but only five soldiers had survived and were in a critical condition. Security officials said they used potent narcotics to kill themselves. “The bodies of the US troops became misshapen in such a way that they looked like 5000-year mummies,” said a witness.”
The mass suicide of US soldiers was also reported by Iran’s Press TV News Service: Fars News Agency reported “Iraqi security sources have revealed that 21 US troops had committed suicide inside a former Iraqi air force base 27 days ago.”
At around the same time scientists from around the world had come together to launch the Large Hadron Collider, a particle accelerator in Switzerland, tasked with recreating the conditions of the Big Bang and answering some of the most fundamental questions of the universe. In the lead up to this spectacle, concerns about the project from scientists and conspiracy- theorists alike intensified leading to lawsuits in American and European courts over last-ditch efforts to halt the project, and a flurry of threatening e-mails and telephone calls from worried members of the public who feared the massive machine could cause earthquakes and tsunamis that would destroy the world.
Additionally a number of university lecturers and academics were also coming forward in a much more vocal way then before sharing their belief that the reason for America’s need to wage war against Iraq in 2003 had nothing to do with oil. Dr. Michael Salla is an internationally recognized scholar in international politics, conflict resolution and US foreign policy, and is the author/editor of an additional four books including The Hero’s Journey Toward a Second American Century (Greenwood Press, 2002); Essays on Peace (Central Queensland University Press, 1995); Why the Cold War Ended (Greenwood Press, 1995); and Islamic Radicalism, Muslim Nations and the West (1993).
In 2003 he published Exopolitics: Political Implications of the Extraterrestrial Presence (2004) where he provided evidence to support an assertion that the reason for the American led invasion of Iraq was because the Bush administration had been aware that the Iraqi government had discovered an ancient artefact which they believed was some form of ancient stargate technology. The urgency for the war (which violated UN processes) was prompted by the knowledge that Saddam Hussein government was working to see what technology secrets they could extract from the ancient artefact.
The Neel Kashkari Factor
Russian Military reports circulating in the Kremlin also stated that the entire $700 billion bailout package signed into law by President Bush before his departure had been put into the hands of one single man by the US Secretary of the Treasury Henry Paulson in one of the strangest moves yet committed by the United States in its managing of the total collapse of the World’s entire financial structure back in 2008.
the American defense conglomerate TRW Inc, which among its many government contracts includes its ultra secret projects at the Groom Lake, Nevada, otherwise known as Area 51.
The reports further state that Mr. Kashkari had just returned to the United States from Iraq where he was the lead investigator into the mass suicide of American troops attempting to ‘open’ what is described as a ‘stargate’ in the ancient Iraqi city of Babylon. This task was particularly suited to Mr. Kashkari, these reports continue, due to his previous work with what is described as the ‘ancient technology’ currently being held by the United States at their Area 51 complex, and which earned him the Russian Intelligence codename of ‘Stargate Commander’.
2009 – CERN Makes Hollywood
In Ron Howard’s 2009 movie Angels & Demons, Tom Hanks plays Harvard academic Robert Langdon, who discovers evidence of the resurgence of an ancient secret brotherhood called the Illuminati – the most powerful underground organization in history. When Langdon finds evidence that the Illuminati have stolen antimatter from a secret laboratory at CERN, which they plan to use as a devastating weapon to destroy the Vatican, he and CERN scientist Vittoria Vetra begin a race against time to recover the antimatter and prevent catastrophe. This movie further strengthened the CERN brand on a global basis.
CERN’s Symbolic Representation
So far we have a couple of threads. A story about a mass suicide of American soldiers near ancient Babylonians sites in Iraq. A link between their suicide and the Large Hadron Collider in Switzerland attempting to re-create the big bang event and a former American senior advisor to the US Treasury Secretary being stationed in Iraq as the lead investigator of the mass suicide. And then in 2009, CERN making its debut in the Hollywood blockbuster, Angels and Demons.
But then there is something else even more bizarre which had happened 4 years earlier.
A controversial situation concerning CERN took place 18th June 2004 at the 128th session of the CERN council, in which a 2m statue of the Hindu dancing goddess Shiva was unveiled at CERN. The special plaque next to the Shiva statue explains the significance of the metaphor of Shiva’s cosmic dance with quotations from Capra:
“Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our time, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art and modern physics.”
What the plaque didn’t mention was that Shiva is known as the god of destruction. The Council meeting closed with a ceremony to unveil the statue offered to CERN by the Government of India as a symbol of India’s long-standing relationship with CERN. Speaking at the unveiling ceremony, Dr Anil Kakodkar, Chairman of the Indian Atomic Energy Commission and Secretary to the Government of India, expressed his satisfaction that “the Indian scientific community is part of the quest for understanding the Universe”.
Rainbow Bridge – One Bridge Too Far
The use of Hinduism to symbolise CERN is of great importance since the occultic plan of the New Age Movement is based largely on eastern Hinduism and the pursuit of an irreversible connection between earth and the spiritual plane. The occultic plan of the New Age Movement is ultimately to collectively build what is called the “antahkarana“, defined as a mystical “planetary rainbow bridge”, a spiritual definition of a technological stargate, created by the upward thrust of spiritual/mental energies from humanity at one end and the downward response of the Hierarchy at the other, which will eventually “unite Humanity and the Hierarchy”.
Bible scholars agree that sky, sea, and physical earth contain spiritual forces behind barriers or ‘gates’. In the Book of Revelation, chapter nine and verse fourteen, we read of “the four angels which are bound in the great river Euphrates.” Likewise, in Job 26:5, the literal Hebrew translation says, “The Rafa (fallen angels) are made to writhe from beneath the waters.”
Additional biblical references indicate that the subsurface earth is a prison or holding tank where God has bound certain fallen entities. (2 Peter. 2:4; Jude 6). That such spirits might seek to move beyond their confines through human intervention or invitation, is defined in Scripture. The Hebrew people were warned not to communicate with spirits seeking to emerge from darkness ( Deuteronomy 18:11), and, as an example, when the witch of Endor communicated with the same, they ascended up from “out of the earth” (1 Sam. 28:13).
Based on such scriptures, it seems reasonable that an intelligent, functioning dynamic exists beyond or behind mythology, which according to Christian doctrine is identical with legions of fallen spiritual forces held within spiritual boundaries. It also appears that, by invitation, they can “ascend” or transcend these gateways, presenting themselves as ‘light bearers’ or angels of light (2 Corinthians 11:14).